![]() ![]() For orders above €150, you will be responsible for any tax or customs charges. If you have a VAT number, please email us the number so that we can add it to your shipping paperwork.Ībebooks collects VAT for all orders with a customs value below €150. For orders above £135, you will be responsible for any tax or customs charges. We ship all books in sturdy boxes or in stiff cardboard mailers.Ībebooks collects VAT for all orders with a customs value below £135. We will contact you if additional postage is required. However, larger or heavier books or multi-volume sets will require additional postage. Shipping costs are based on books weighing 3 LB, or 1.4 KG. The choice to continue looking is yours.Orders usually ship within 2 business days. He reminds me that the apprehension of beauty and the wisdom derived from it is made stronger by acknowledging and perhaps coming to a better understanding of the darker aspects of existence. ![]() Witkin challenges me to flinch less, or if I flinch, to find the courage to continue looking and moving forward. Appreciating Witkin’s images leaves me more aware, perhaps more alive, potentially wiser, and never unchanged. The shock his best work produces haunts me long after I’ve seen his work, sometimes never passing. The true reward of looking at Witkin’s work is … The shock his best work produces is not the kind of shock that quickly passes leaving me looking for the next big rush. The true task of looking at Witkin’s work is found in differentiating which of Witkin’s images transcends cleverness – not all of them do – to achieve true insight – those that do offer a most unusual substance. But, he is always courageous and dares to explore in depth what few ever dare to glimpse. Sometimes he misses the mark, either from aiming at the wrong target, a misdirection born out of a calculation designed to impress rather than a passion designed to transform, or from not penetrating deeply enough, perhaps he is not as unflinching as he would lead us to believe. For this to be absolutely true he would need the unerring powers of a saint. Thus he doesn’t think his work aestheticizes negativity, perversion, or violence. He claims to simply acknowledge their existence and to have found beauty within them. Witkin doesn’t consider the things he’s photographing taboo or ugly. ![]() I think it takes wisdom to see beauty (especially unconventional beauty) and that beauty imparts wisdom. In his best work Witkin transcends the fleeting beauty found on the surfaces of things and penetrates deeper to find a more enduring beauty that lies below the surface – in the most unexpected places and sometimes in the most unexpected ways. This beauty is drawn from much more than exceptional print quality, which though chaotically distressed and painted is nonetheless crafted masterfully. ![]() Witkin’s work challenges me to look at things I turn away from and my own denial. It would be easy to write his work off as sensational (His images are so shocking they make headlines.), perverse (His models are, if alive, unusual body types including dwarves and hermaphrodites, if dead, cadavers, amputations, skeletons, and carrion, while his props often include sado-masochistic paraphernalia and torture devices.), and contrived (He reproduces historic masterworks in his own dark way.). I find Joel-Peter Witkin’s photography supremely challenging. ![]()
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